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Syntax Issue 10
Denver Syntax
{on the streets of quitratue}
  ray sweatman


Was trying to interview Neruda on the subject of love
on the streets of Quitratue when right before my eyes
he sheds his human skin and turns into a puma.
I say 'Look Pablito, these streets aren't so barren.
Look at the gal with the pail over her head
and that one selling flowers…ah it aint so bad.'
But he just goes right on clawing the humidity
and sniffin' the air when Yehuda Amichai
walks by on four legs with a testicle and penis
of his woman's new love and her panties firmly
entrenched in his mouth. 'Hello Yehuda, perhaps
you can shed some light on love.' But he just
growls at Neruda, who waves him off with his
claws and nose and keeps on diggin' and sniffin'
for the one he lost when a voice from the shadows
'Over here…Here. Here.' When Charles Simic
starts screaming out some woman's name like
a famous actor on a crazy streetcar full of naked
lightbulbs about to jump the tracks, which causes
poor Yehuda and Neruda to scratch and sniff even
more when Richard Brautigan screams from the alley:
'Forget love. Let me die in your yellow hair.' Which
is followed by the cry of a blonde: 'I think he's dead.
Please get him off!' When Russell Edson enters, dragging
a six-foot pink eraser. 'Ah, Mr. Edson, just in time.
With that perhaps you can take our pain, ease our minds.
You used it quite well to erase your Amyloo.' But before
he can open his mouth, Yehuda and Neruda are tearing
at each leg. When James Tate enters walking a goat
on a leash. 'Ah, Mr. Tate. Good to see ya. Perhaps
you can shed…' But he just points in the distance
where a man as naked as Adam discovering original sin
is cradlin' the sun in his lap and lettin' it go down on him.
When Tate exclaims: 'My God! Have you ever seen such?'
'No! Should we call the police?' 'No. I don't mean him.
The sunset! Look at it!' But soon it's nothing but a dark
parking lot, me waiting like the lone flickering streetlamp,
trying to hold on for one more glimpse, people coming
and going and looking suspiciously in my direction
when who should enter but you and a policeman inquiring,
"Do you know this man?''No, Officer. I think there's been
some kind of mistake.'