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Syntax Issue 10
Denver Syntax
{the dear john letters (for j.f. & j.a.)}
  lisa gordon



…when you turned away
I, unable to invite and renew kisses,
heard the note of my failure.

John Asfour

I

Love is a mirror that hides no flaws.
John Amen

Do you remember when I was the holy of your audience
squatting for hours on end in the motley crowd
babies crying, lovely women swooning
& me keeping an eye on
your stutter reveal –
do you remember it was me
had you whole, welcomed & diced?

I am the potted plant you decided was excess,
the girl in tight jeans & roomy sweater toppled,
a thought you barely had time for giving credence to,
small room lost in the panoramic scheme of things.
Do you remember asking me why & what for
on the eve of realizing I was everything I said I was –
even more so?

Dear John it’s 3 in the morning,
I see I’ve drawn the blind,
under my eyelids there’s all these lost souls
remembering love is serve & volley.
You’re not here, you’re never here –
keeps me honest, asymmetrical, hollering.
That’s it – that’s the light penetrating the pall of the room…

II

What is it about beauty that lands me in the throat of grief?
John Amen

Dear John I’ve fallen out of my own orbit
& the sky has skinned itself, clouds at war
with love preening like a picture in a locket,
humming posture & sedentary hope –
dear John able is as able does,
hope gives torrents of favour,
life allows.

Was that beauty I embraced
or only a story of fever pulsing?
Dear John all your footwork coming to a head
& me inscribing blessings after the fact.
We could tell each other it’s all right
knowing it isn’t – land
& fall short of recovery – touché.

It’s much less about turning away than facing up.
Dear John I’m on the brink of inevitability,
this is where all the finest themes
hone their raw skills. Now that you’re
a rose in my teeth wilting, calm
evacuation of my burning building –
now I’m all that too, & friable…

III

Do not leave me in this wilderness!
Or, if you do, pay me to stay behind.
John Ashbery

How high the house that John built stands –
can’t reach every poignant detail, posters
of Hiroshima on the walls, bowl
of origami cranes by the window,
faint light of the antique radio playing Roy Orbison –
can’t reach but not for lack of trying
as I count out the ways we do & don’t
belong here, the ghostly flicker of cheap tea candles
handsomely tattooing
a chair, an arm, a mood –

how deep in the cellar Reason hides
trying on chaotic jocular for size,
air trapped in its own throb,
psyche cadaver rolled up in a Persian rug,
our first words exchanged rattling the radiator,
make-shift sleeping space cold & snow-blind,
sure ground, shifting ground, tumblers –
how Folly, the fiddler, keeps sarcastic time
in the moment I’ve realized
no stable leaving exists.

Dear John something of a scandal
has swept up unrepentant residual flak
, released it in the form of cool ash onto the front lawn,
sown seeds of nostalgia, thought better of that, screamed
bloody murder yet remained unheard –
dear John the tirades of our ephemeral hopes
gone on a bender don’t
bleed the way they used to, something
I appreciate remembering how you had
neither coinage nor humility enough
to take the ineffable
to gutsy heart…

IV

Feeder

The body's discomfiture, bodies of moonlit beggars,
sex in all its strangeness: Everything conspires
to hide the mess of inner living, raze
the skyscraper of inching desire.
John Ashbery

Tinderbox of virtues buried beneath the leafless willow – explosion
to follow, the invisible voluminous with dry core, small
ally of a salted heart, a windy compulsion, dreams
stilled by onslaught of tired saying, wide love
on the lam again.

This morning I reveal what I am
to what I'm not, make the necessary introductions,
offer to translate the fine print of misapprehension,
discover yet again the obvious – there is no translation for
wired hope, dead star, frippery: touché.

At the new birdfeeder first bird arrives, at least
the first I`ve seen, a tiny blithe of a creature hovering
for seeds, a mini pause of intention
I drink in along with coffee & lost concentration
on dog-eared book in hand.

I think of waking you, of watching you sleep,
of making love all day long as though
we're twenty again, wet behind the ears,
sinuous as vivacious mood swings, our bodies speaking
in the tongues of neither god nor devil arriving –

think how the day will be all arms & legs
& the little pulse in departed bird`s breast
off to sing his mating song, & the glimmer
in your fine open gaze
rivering our shared slippage, live albatross, joined hands
on the cusp of springtime feral…

V

The brain is a messenger with blood on his hands.
John Amen

Dear John flicking stones over river left to right,
a hand glider sampling palpable direction
& how it’s come to this, looking
to others for balance – dear John
in plasticity pushing for commitment:
well maybe tethering baloonish breath
to mysteries & dead ringers is
long on sticking, short on arrival –
maybe dear John is bereft of a synonym
that could lead to keeping
comfortable beat?

I make of how I speak of you
a cozy igloo, only on the upside
of signals like corrections
go baffled forward.
I tell a mess of homage
to gods I don’t witness for
hoping generic wrath
keeps to unloaded highways –
dear John this & everything
more – mannerisms, homilies, health –
handcuffed anomalies?

I’m tracking a deer to the edge
of the campground, holding
my morning cup of dark coffee
close to the chest whispering.
You once again allot like dust
like harmlessness like treason –
dear John am I sideways or stung?
The next cull de sac is where I see you
running on empty, stepping flat-footed
between the gap & the gape
that’s been us slipping haywire –
been the black thumb in the pudding, puddle
of marked…