brewing diamonds  in our tea
  anneliese rix
     
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Elegy for Amber Northrop
  
Icarus’ fatal mistake won’t be yours 
in the abandon of flight. 
This back fleshed of woman that has not 
cracked, not called to man-fashioned 
wings could not fall to sea of anyone’s 
accord but hers—  
if only to rebuild waves around an island 
of her own name, 
where music implodes after private wars 
that tattoo themselves on the body and explode again 
on Tulagi’s shores.   
  
My car whites out the mountain air’s night  
insistently dropping around you, as if 
the mountains believed they were taller somehow, 
and I know they heed less respect  
than I do to the moment when 
your large eyes broke open our futures  
in the berth of their gaze as, in the small  
sacrament of you cleaning your glasses, 
I watched you undulate like fog beyond the booth, 
building, and borders, saw you roll out in slow  
curves of untouchable inevitability. 
—But just like that, you were back, pushing the  
weighty glasses over your eyes,  
and we drank our coffee, talked,  
me relieved that we were talking about now. 
 
Soon, the city’s long fingers drone their tapping  
in a rhythm that attaches to your limbs  
and you move on, 
speakers caving in overhead while you dance  
like no one’s around when they are, 
speakers caving in overhead while you dance 
like everyone’s watching when they aren’t. 
Speakers cave in overhead while they follow 
your storm on the dancefloor. 
 
Daylight finds its way  
to tell us different stories... 
We read circuits around  
your home, comfortable because  
the bikes will circle the block once more, 
warning us with a ceaseless buzzing whose  
translation distance won’t allow us to discern; 
what we do understand, they’ll come, 
they have their route, 
routine, a path to ride.  They’ll  
stay in their loops today, and we’ll watch, 
easing the tension that patterns bring  
by knowing there are other rides, 
even though we can’t say it. 
 
Today I watched Denver move from rooftops 
and imagined your progress in the  
observable order of toy cars, toy people, 
and trees and lights.  I orchestrated the pieces 
below, letting myself pull strings of  
disorder into control only visible from  
fourteen stories.  I pulled your car around the  
streets one last time, led you into the Tavern, 
sat you down at the Lancer for a drink, but  
you undulated like fog beyond this skyline, 
and I came to my desk.  You undulate like fog 
beyond these lines, leading my pen behind as 
I sit finally ready to draw you into spaces of twin cities, 
because  
one of anything should no longer have to be enough.
    
 
   
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